Music & Arts Education Data Lab
 
 

KENNETH ELPUS, PH.D.

Kenneth Elpus is professor of music education and associate director for faculty affairs and graduate studies at the University of Maryland School of Music. In the music education division, he prepares pre-service music educators to teach choral music in the secondary schools and teaches graduate research methods. Ken also conducts the UMD Treble Choir. He earned his Ph.D. and Master of Music degrees in music education from Northwestern University in Evanston, IL, where he held a fellowship in the Center for the Study of Education and the Musical Experience, studied voice with Karen Brunssen, and was a choral conducting student of Robert A. Harris. He earned his Bachelor of Music degree and K-12 teaching credential from The College of New Jersey in Ewing, NJ. Prior to his career in higher education, Ken was for seven years the director of choral music at Hopewell Valley Central High School in Pennington, NJ.

Dr. Elpus is a sought-after guest conductor for all-county, all-region, and all-state honor choirs and has presented professional development and interest sessions for K-12 choral teachers at conferences of the American Choral Directors Association, the National Association for Music Education, and several state music educators’ associations. He appeared with the UMD Treble Choir (then known as the Women’s Chorus) at the 2016 Eastern Region Conference of the American Choral Directors Association and has prepared the UMD Concert Choir for appearances with the NSO Pops at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

In addition to his work as a choral conductor and choral music teacher educator, Ken pursues an active research agenda at the university funded in part by grants from the National Endowment for the Arts, the U.S. Department of Education’s Institute of Education Sciences, and the International Baccalaureate Organization. A recognized expert in quantitative music education research methods, he coauthored the Oxford University Press book Design and Analysis for Quantitative Research in Music Education with Peter Miksza of Indiana University. His research analyzes issues related to music education and public policy, the demographics of music students and music teachers, equity of access to music and arts education in the United States, and music education as a context for adolescent development. This work has been published in the Journal of Research in Music Education, the Music Educators Journal, Arts Education Policy Review, and the international journals Psychology of Music and Music Education Research, among other venues. Dr. Elpus’s policy research was cited by the National Association for Music Education in their successful efforts to ensure that music and the arts were enumerated as part of a “well-rounded education” in the Every Student Succeeds Act federal education law, and he has been a featured speaker at the association’s congressional briefings on Capitol Hill.

Ken has also appeared at the John F. Kennedy Center for the Performing Arts discussing his research findings with director of the National Institutes of Health Francis Collins and opera singer Renée Fleming as part of their Kennedy Center Sound Health initiative. As part of that continuing collaboration with Renée Fleming and the NIH, Dr. Elpus recently appeared as a panelist at the NIH “Music as Medicine” workshop and contributed a chapter on the status of music education in America’s schools to Renée Fleming’s edited volume, Music and Mind: Harnessing the Arts for Health and Wellness, available now from your favorite bookseller.

 
 
 

STEPHANIE PRICHARD, PH.D.

Stephanie Prichard is associate professor of music education at the University of Maryland, where she teaches courses in instrumental music education and serves as co-advisor for the collegiate NAfME chapter. Prichard earned a Ph.D. in music education from the University of Colorado, Boulder. She holds a Bachelor of Music in music education from the University of Maryland and a Master of Music in music education from Northwestern University.

Prior to her appointment at the University of Maryland, Prichard served as graduate instructor of music education at the University of Colorado, where she taught undergraduate courses in music education and supervised student teachers. Previously, she taught elementary and middle school instrumental music in Bowie, Maryland, and Alexandria, Virginia.

Prichard is an active researcher, specializing in music teacher identity development, music teacher evaluation and music learning during the adolescent years. She regularly presents research and scholarly work at national and international symposia including meetings of the National Association for Music Education (NAfME), the Society for Music Teacher Education (SMTE) and the American Educational Research Association (AERA). Her research and writing has been published in the Journal of Research in Music Education, the Journal of Music Teacher Education, the Bulletin of the Council for Research in Music Education and the Music Educators Journal. Prichard serves on the editorial board of the Journal of Music Teacher Education and serves on the state board of the Maryland Music Educators Association.

 
 
 

Josanne Francis

Award-winning steelpan performer and composer Josanne Francis engages a cross section of styles, including traditional calypso, jazz, Indian, funk, rock and European classical. She has collaborated with Etienne Charles, Jon Batiste, Afro Bop Alliance, David Rudder, Andy Narell, and Victor Provost, among other diverse artists, and appeared with the Michigan Philharmonic and Baltimore Symphony Orchestra. Currently pursuing her doctorate, the Trinidad & Tobago native has garnered multiple grants, and served on a number of panels. She recently delivered a TEDx presentation, and received a commission from the San Jacinto College Central Steelband to complete a multi-movement gesture for steelband. Josanne co-created the thriving performance outfit Elite Pan Consortium and launched Steel on Wheels LLC, an educational program that eliminates barriers for the creation and development of steelbands, and varied percussion ensembles.

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Justin Caithaml

Justin Caithaml is currently a music education Ph.D. candidate and Graduate Assistant at the University of Maryland, College Park, where he serves as instructor for student teaching seminars and teaching assistant for undergraduate choral and general music education courses. He served as choir director at Midview Local Schools outside of Cleveland, Ohio for six years and completed his Master of Arts degree from Teachers College, Columbia University studying music and music education. Justin is a Past President of the Ohio Alliance for Arts Education and has served on several grant review panels for the Ohio Arts Council. Ensembles under his direction have collaborated with choirs from Westminster Choir College (NJ) and have performed at the Governor’s Awards for the Arts in Ohio and the Cathedral of St. John the Divine in New York City. A passionate advocate for equity and access in music education, Justin’s current research focuses on more deeply understanding gender and sexuality discourse in the profession. His work has been accepted for presentation at a variety of conferences, including the Symposium on Music Teacher Education, the International Symposium on Research in Choral Singing, and the Annual Meeting of the American Educational Research Association, as well as state music education conferences in Connecticut, Delaware, Maryland, New Jersey, Ohio, Pennsylvania, and Virginia.

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AMY SIERZEGA

Amy Sierzega (she/her) is a music education PhD candidate and graduate assistant at the University of Maryland (UMD). Before moving to Maryland, she taught pK-5 elementary general music and beginning band for eight years in Ann Arbor, Michigan, and served as interim conductor for the Washtenaw Community Concert Band. She currently teaches early childhood music classes through UMD’s Hatchling Community Music Program and serves as executive director of the Gordon Institute for Music Learning. Amy’s research interests include identity development, trauma-informed care, and culturally sustaining practices in music education.

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Darren Shillingford

Darren Shillingford (he/him) is a second year Music Education PhD student and graduate assistant at the University of Maryland, College Park. Originally from the Commonwealth of Dominica, he previously worked with choirs throughout the English-speaking Caribbean and is passionate about researching Music Education in the Caribbean Region. He also taught general music at Pre-K to Grade 8 schools in both Trinidad & Tobago and here in Maryland. He is on demand as an accompanist working mainly with choirs throughout the DMV area. Currently, he serves as an organist at both the St. Andrew the Apostle Catholic Church and Epiphany Lutheran Church and also teaches early childhood music classes with UMD’s Hatchling Community Music Program. 

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Lauren MCGINLEY

Lauren McGinley is a first-year music education Ph.D. student at the University of Maryland. She earned her bachelor's degree in music education from Rutgers University and her master’s degree in curriculum and instruction from the University of Wisconsin-Madison. Lauren’s previous teaching experience includes K-8 general music/choir in New York City and courses in music education and popular music at UW-Madison. She currently teaches at the Terrapin Community Music School and Paint Branch Elementary. Lauren’s research interests include music teacher retention/attrition, preservice music teacher education, community engagement and reflective practice. 

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Samuel Gray

Samuel Gray (he/him) serves as a Graduate Assistant for Music Education at the University of Maryland, where he is earning a Ph.D. in Music Education. He holds a Master of Music in Music Education degree from Colorado State University, and a Bachelor of Music Education degree from the University of Wisconsin-Superior. Samuel’s research interests are in educator perceptions, students with disabilities and preservice music student performance expectations. He previously worked as a middle school choir director in northern Minnesota for six years where he received the Golden Feather Award from Duluth Edison Charter Schools. Additionally, Samuel currently serves as Director of Music and Organist at Potomac Presbyterian Church in Potomac, Maryland.

Email | LinkedIn | ORCiD | Resonant Researcher | CV

 
 
 

Eric C. Schoute

Eric is a doctoral candidate in Educational Psychology in the department of Human Development & Quantitative Methodology under the guidance of Dr. Patricia A. Alexander. Eric’s research revolves around critical and critical-analytic thinking, epistemic cognition, and multiple source use. Eric has been signing in choirs for close to twenty years and now, through his position at the MADLab, he engages in scientific research pertaining to arts education. In his free time, he can be found swimming in UMD’s olympic-sized pool, ambling across DC’s National Mall, or FaceTiming his family and friends far away.

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JULIANNE E. VAN MEERTEN

Julianne (she/her) is a doctoral candidate in Educational Psychology in the department of Human Development & Quantitative Methodology under the guidance of Dr. D.J. Bolger. Her work revolves around how undergraduate students learn, their online search behaviors and engagement with sources, and their critical thinking and academic writing abilities. She is currently working on her dissertation study and hopes to graduate in Summer 2024. Although her research so far does not directly involve music and arts education, she does love to sing and engage in music in her free time AND she loves education and all things learning. She is, therefore, excited about working on this project to try and build a bridge between the two.

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Crhistian Folk, Ph.d.

Christian Folk is a Ph.D. candidate in music education with an emphasis on museum studies at the University of Maryland. Christian taught for several years in North Carolina and South Carolina private and public schools before beginning their graduate studies in music education. A fierce advocate for diversity in wind band programming, he created databases of pieces for wind band written by gender and/or racially minoritized composers which were featured in presentations at The Midwest Clinic and The College Band Directors National Association conference. Their research interests include arts education in museums and other cultural institutions, music education and disability, music and LGBQTIA+ studies, wind band programming, and minimalist music, specifically the works of Philip Glass. They have presented at conferences of The American Educational Research Association, The National Association for Music Education, the Society for Music Teacher Education, the South Carolina Music Educators Association, and the Society for Minimalist Music. He also has peer-reviewed articles published in the Journal of Band Research and Arts Education Policy Review. He is the director of the Vienna Concert Band in Vienna, VA, and the co-director of the Maryland Band Directors Band. Christian has a bachelor’s degree in music education from Winthrop University and a master’s in music education from The University of South Carolina. He enjoys visiting museums and local independent bookstores with his wife, Christy.

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David Miller, PH.D.


David Miller is an Assistant Professor of Music Education at the University of Kentucky, where he teaches undergraduate instrumental music education and graduate research courses. Additionally, he supervises student teachers and oversees the New Horizons band and orchestra groups on campus. As an educator, Dr. Miller has a range of experience teaching orchestra and band in North Carolina, including middle school, high school, summer camps, and youth orchestras. He frequently serves as a guest clinician and adjudicator for orchestras. Additionally, Dr. Miller holds appointments as an Assistant Research Scientist at the University of Maryland Music and Arts Education Data Lab (MADLab) and as a staff researcher at the Maryland Longitudinal Data System Center. He has served as a quantitative research consultant and analyst for several grant-funded initiatives addressing topics such as arts educators in the United States and systemic barriers to equity for access to higher education.

Dr. Miller is currently serving on the national board of directors for the American String Teachers Association and holds additional professional memberships with the National Association for Music Education, International Society for Music Education, and the American Education Research Association. His research and scholarly interests include equity in music and arts education, teacher labor markets, education policy, music perception and cognition, and creative musicianship in secondary ensemble classrooms. He frequently presents his research at various state, national, and international conferences, and has published his research in the Journal of Research in Music Education, the String Research Journal, and the American String Teacher.

When he is not actively involved in teaching, research, or performance, he enjoys spending his leisure time on culinary adventures. An avid baker, cook, eater, and consumer of all things coffee, he welcomes suggestions for restaurants, recipes, and coffee.

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Bri’Ann Wright, PH.


Bri’Ann Wright has over 18 years of experience teaching music in various capacities that include private lessons; extracurricular music and music theater classes; pk-12 school music; preschool; and graduate and undergraduate education and music education majors. Wright recently graduated with a Ph.D. from University of Maryland in College Park in music education with a focus on education policy and program evaluation. Wright completed her Ed.M. and M.A. degrees in music and music education from Teachers College, Columbia University. Wright’s teaching has been focused in the general music track, combining multiple pedagogies, creativity, and popular music in her curriculum writing. Wright also spent much of her Masters’ degrees focused on early childhood music development and providing developmentally appropriate musical experiences for young people. Wright’s research interests include music and arts education policy, specifically arts program and policy design and evaluation. She is also interested in creativity, pedagogy, and issues of equity and social justice in the music classroom.

Wright spent seven years in New York City, where she taught popular music to middle school students in East Harlem. She also was a founding member of a Brooklyn preschool, where she
designed curriculum and summer programs; established community partnerships, and served as lead preschool teacher. Wright also built a local performing arts salon, Full Moon Salon, that sought to bring together artists, audience, and dialogue. Wright’s professional experiences in New York established her curriculum writing and program design foundation, rooted in democratic teaching, creative practices, and popular music.

Wright’s research acumen includes quantitative, qualitative, and mixed methods work, and her burgeoning research agenda has and continues to evaluate arts programs and policies, and
interrogate the links between school music and non-achievement outcomes, like engagement, well-being, and enrollment. Wright’s paper, Impact Evaluation of the Turnaround Arts Pilot
Program: An Interrupted Time Series Analysis, was recently published in Arts Education Policy Review. Wright’s research has been accepted and presented at many national and international
conferences including AERA, NAfME, SMTE, ISME, APME, Desert Skies, among others.

Wright enjoys throwing pottery, traveling, and Friday night dance parties with her partner, Peter, and two children, Magnus and Georgia.

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Allison Durbin, PH.D.

Allison R. Durbin is assistant clinical professor of music education and the director of the Terrapin Community Music School at the University of Maryland. She earned a Ph.D. in music education from the University of Maryland, College Park. Durbin holds a Bachelor of Music in violin performance from the University of Maryland, and a Master of Arts and Master of Education in music and music education from Columbia University’s Teachers College. 

Allison has served as a graduate instructor of record of music education here at UMD, helped to supervise student teachers, and served as an administrator for the Terrapin Music Camp. Prior to her graduate work at UMD, Allison taught early childhood classes, general music, ukulele, and violin in New York, New York, and Annapolis, Maryland. 

Durbin’s research focuses on caregiver and child musical relationships, equity and access to music education programs, and community musical engagement. She has presented research at national and international conferences, including the National Association for Music Education (NAfME), the American Educational Research Association (AERA), and the Society for Research in Child Development (SRCD). 

Email | University of Maryland | Terrapin Community Music School